Public Photos

Summer Solstice

Ian — Wed, 21 Jun 2006 07:29:34 GMT

Summer Solstice

Looking at sunrise down the central spoke it also points to the center of our galaxy in the opposite direction.

Glastonbury Zodiac at Summer Soltice 2006

Ian — Wed, 31 May 2006 10:03:40 GMT

Glastonbury Zodiac at Summer Soltice 2006

The Glastonbury Zodiac at Summer Soltice 2006 showing the Sun in Gemini lining up and pointing to the center of the Milky Way galaxy at 66 degrees from Libra. Notice that the center shows a dove and what looks like water flowing in the direction of the gemini constellation. Mary Caine, the finder of the Glastonbury Zodiac call this "Christ in Gemini".

Glastonbury Soltice 2006

Ian — Wed, 31 May 2006 09:58:56 GMT

Glastonbury Soltice 2006

Sun at 66 degrees on the horizon or two times 33

View from Bighorn Medicnine Wheel - Today at 7:36 am [My birthday :)]

Ian — Thu, 25 May 2006 06:04:17 GMT

View from Bighorn Medicnine Wheel - Today at 7:36 am [My birthday :)]

Shakespeare
by Matthew Arnold

Others abide our question. Thou art free.
We ask and ask: Thou smilest and art still,
Out-topping knowledge. For the loftiest hill,
That to the stars uncrowns his majesty,
Planting his steadfast footsteps in the sea,
Making the Heaven of Heavens his dwelling-place,
Spares but the cloudy border of his base
To the foil'd searching of mortality:
And thou, who didst the stars and sunbeams know,
Self-school'd, self-scann'd, self-honour'd, self-secure,
Didst walk on earth unguess'd at. Better so!
All pains the immortal spirit must endure,
All weakness that impairs, all griefs that bow,
Find their sole voice in that victorious brow.

The Glastonbury Giants

Ian — Thu, 25 May 2006 04:53:53 GMT

The Glastonbury Giants

The Glastonbury Giants
By Kathy Doore

The Glastonbury Zodiac may be the most remarkable ancient earthenwork in Great Britain. This great landscape configuration is comprised of a circle 10 miles across and 30 miles in circumference formed by hills, roads, and rivers that can only be seen in its entirety from high above. Discovered in 1927 by Katherine Maltwood, the figures are representations of constellations in the heavens moulded into the fabric of the land. Here giant mythological archetypes depict the Grail Quest. Like the Twelve Giants, the Round Table has twelve places. Even the land around Glastonbury has been known for centuries as the Twelve Hides (given to Joseph of Arimathea the uncle of Jesus, when he arrived here with the Holy Grail).

This vast complex encompasses Glastonbury Tor and Chalice Hill in the sign of Aquarius (Phoenix), Wearyall Hill in Pisces, and so forth, as it weaves round the Isle of Avalon. Arthur, Guinevere, Merlin, and the Knights are still remembered in the signs of the Giant Zodiac.

Maltwood believed the Zodiac was constructed sometime around 2700 BCE, but earlier dates of 7000 BCE relating to Egypt’s Dendarah Zodiac, have also been suggested.

Katherine Maltwood retired to Victoria B.C. where she founded the Maltwood Museum. Upon her death in 1961 she bequeathed her entire Collection to the University of Victoria which still houses her vast collection of art, and contempory works. The Zodiac Wood Sculpture (shown at top of page) and all of Maltwood's research archives may be viewed at the McPhearson Library, Special Collections Department, University of Victoria. Since its institution in 1953 the museum collection has grown to over 6,000 items representing the work of contemporary Western Canadian artists, particularly those of British Columbia. This collection of fine, decorative and applied arts is the bequest of English sculptress and antiquarian, Katharine Emma Maltwood, F.R.S.A. (1878-1961). Reflecting the tastes and travels of Mrs. Maltwood and her husband John Maltwood, the collection ranges from Oriental ceramics, costumes and rugs to seventeenth century English furniture, Canadian paintings, and a selection of Katherine Maltwood's own paintings and sculptures including her marble bust, "The Holy Grail".

Maltwood Art Museum and Gallery
3800 Finnerty Road (Ring Road), University Centre
Victoria BC, Canada

Excerpts from Mary Caines book:

The Glastonbury Zodiac
Key to the Mysteries of Britain
by Mary Caine

Around the town of Glastonbury, England, where Jesus spent time as a youth, and where Joseph of Arimathea, Jesus' uncle, founded the Christian Church of England in 37 AD, there is built into the landscape a huge Zodiac, only discovered in recent times.

Copious evidence of prehistoric interference with the landscape can by seen on every side; there were obviously early and important settlements here with hardly a hill that has not been terraced or fortified; tumuli and other earthworks abound. The Tor already impressive enough, has been laboriously terraced into something reminiscent of a Chaldean Ziggurat, or a step-pyramid. Its influence on the whole area is hypnotic; it is a constant reminder of eternity -- a gnarled prophetic finger pointing to another and disturbing dimension. Impossible to resist its imperial bidding for long, it impels us to ascend and contemplate wider horizons.

The Glastonbury Zodiac is the earthly counterpart of the Caer Sidi of the Celts - a great Star-Temple, reflecting in its natural contours and streams the Zodiac in the heavens. So accurately indeed does it mirror the heavenly pattern that the stars of the Zodiac fit over its earthly effigies when the planisphere is scaled to the map of Avalon.

That this antiquity has lain so long forgotten is due, paradoxically, to its immense size. It is literally too big to be seen. These giant figures - one of them is five miles across - lie stretched over the Vale of Avalon in a great circle ten miles in diameter. Glastonbury Tor is it's northern sighting point; Somerton and Lyte's Cary bound it on the south. The effigies are formed and outlined by hills, contours, earthworks, roads, paths, ancient field boundaries, and by natural and artificial waterways. They consist of the twelve signs of the Zodiac in their correct order, with a thirteenth figure, the largest of all, lying outside the circle to the southwest. This is the great dog of Langport, who guards the sacred abode of Annwn, just as Cerberus guarded the gates of Hades.

Sole credit for discovering the Glastonbury Giants belongs to Katharine Maltwood. In 1927 she was asked to draw an itinerary of the Grail-Quest in Avalon for "The High History of the Holy Grail", a Norman-French manuscript newly translated into English. Studying its text, which purports to have been written at Glastonbury Abbey, she found that the castles and adventures of the knights accurately corresponded to places in the Vale of Avalon. Following their encounters with dragons, giants, lions and other alarming fauna on the map, she was amazed to find that she too was confronted by a huge lion, its underside accurately drawn by the river Cary from Somerton to Lyte's Cary; its back traced by an ancient road, Somerton Lane.

A geographical giant revealed itself next contoured by Dundon and Lollover Hills. An astrologer friend with whom she discussed these strange finds suggested from their relative positions that they might be Leo and Gemini of the Zodiac - and it was not long before the whole consort of Glastonbury Giants was restored, after centuries of oblivion.

Who made it? When? And why? There can be no doubt that this Zodiac in essence, is natural. Its huge figures moulded by hills and lesser contours is partly outlined by rivers and streams whose course is determined by them. The whole complex measures some ten or twelve miles across, thirty miles around and can hardly be the unaided work of man. No, it was modelled by a vaster hand; whether we like to call it Nature, Cosmic Forces, or simply God.

So the question, "who made the Zodiac," must it seems have a dual answer; it was made by Nature in the first place, and continued by man. The Zodiac can be seen in 20th century maps perhaps more clearly than in the past. The paths are widening into motor roads and some are becoming dual carriage-ways. Yet this is not to say that the design was unknown, unrecognized. There is indeed much evidence in early writings to show that it was known.

The second question "When was it made?" must then take us back to the geological ages when the hills were first formed and the streams first began to flow. But this was only the beginning; its continuous development embraces all the ages of man down to the present day.

The third question, "Why was it made?" has already been answered by Dunstan's biographer with commendable succinctness. It was prepared, he tells us, "for the salvation of mankind".

What a flavor of infinity there is about all these answers! We come to it in our usual state of partial consciousness, expecting a clear yes or no, and get both yes and no at once. This in itself is a hint that we are in touch with infinity.

Time.... "The past is solid, the future is liquid." - J.L. Aubert

Ian — Thu, 25 May 2006 04:47:41 GMT

Time.... "The past is solid, the future is liquid." - J.L. Aubert

This grand show is eternal. It is always sunrise somewhere;
the dew is never all dried at once; a shower is forever falling;
vapor is ever rising. Eternal sunrise, eternal sunset, eternal
dawn and glowing, on sea and continues and islands, each
in its turn, as the round earth rolls.
- John Muir

The past is solid, the future is liquid. - J.L. Aubert

Temple Church.jpg

Ian — Thu, 25 May 2006 04:45:49 GMT

Temple Church.jpg

Example of a church\temple built by the Knights Templars in the 12th century using the principles of sacred geometry and the understanding of the human body\system\temple.

Link

The Temple Church is a late 12th century church in London located between Fleet Street and the River Thames. It was originally constructed as the church of a monastic complex known as the Temple, the headquarters in England of the Knights Templar. The Temple was the scene of important negotiations leading to the signing of Magna Carta in 1215. After the destruction of the Templar order in the early 14th century, the Temple became Crown property and was let to two groups of lawyers that evolved into the Inner Temple and Middle Temple, which are two of the four Inns of Court. The two Inns both use the church, which is famous for its effigy tombs. It was heavily damaged during the Second World War but has been largely restored. The area around the Temple Church is known as "Temple" and nearby is Temple tube station. It was also featured in the controversial "alternative history" novel the Da Vinci Code by American author Dan Brown

Da Vinci and the Flower of Life

Ian — Tue, 23 May 2006 18:26:46 GMT

Da Vinci and the Flower of Life

Da Vinci knew about the ancient myseries of Egypt encoded in the flower of life. He also encoded more into his art if one takes a closer look.

http://www.crystalinks.com/davinci.html

Flower of Life at the Temple of the Osirian, Abydos Egypt

Ian — Tue, 23 May 2006 18:17:58 GMT

Flower of Life at the Temple of the Osirian, Abydos Egypt

An anomaly of the Osireion that may support the temple’s antiquity, as well as its intimate connection to Osiris, is the Flower of Life, a symbol engraved upon one of its massive pillars and not found anywhere else in Egypt. This motif appears to be the only symbol adorning the megalithic temple, thus apparently identifying its usage

Freedom of speech

Ian — Tue, 23 May 2006 02:45:05 GMT

Freedom of speech

“Freedom is the right to tell people what they do not want to hear”

George Orwell

We never played by the same rules anyway

Ian — Tue, 23 May 2006 02:18:56 GMT

We never played by the same rules anyway

Well you can tell everyone I'm a down disgrace
Drag my name all over the place.
I don't care anymore.
You can tell everybody bout the state I'm in
You wont catch me crying cos I just cant win.
I don't care anymore I don't care anymore

I don't care what you say
I don't play the same games you play.

cos Ive been talking to the people that you call your friends
And it seems to me theres a means to and end.
They don't care anymore.
And as for me I can sit here and bide my time
I got nothing to lose if I speak my mind.
I don't care anymore I don't care no more

I don't care what you say
We never played by the same rules anyway.

I wont be there anymore
Get out of my way
Let me by
I got better things to do with my time
I don't care anymore I don't care anymore
I don't care anymore I don't care anymore

Well, I don't care now what you say
cos every day I'm feeling fine with myself
And I don't care now what you say
Hey Ill do alright by myself
cos I know.

cos I remember all the times I tried so hard
And you laughed in my face cos you held all the cards.
I don't care anymore.
And I really ain't bothered what you think of me
cos all I want of you is just a let me be.
I don't care anymore do you hear? I don't care no more

I don't care what you say
I never did believe you much anyway.

I wont be there no more
So get out of my way.
Let me by
I got better things to do with my time
I don't care anymore
Do you hear? I don't care anymore
I don't care no more
You listening? I don't care no more
No more!

You know I don't care no more!

Lost Souls and the real WMD

Ian — Tue, 23 May 2006 02:10:08 GMT

Lost Souls and the real WMD

Cheney & Goering, Reichstag Fire And Private Armies

By Bob Chapman
The International Forecaster
5-22-6
from rense.com

Image from bloodforoil.org

There is no question in our minds that Vice President Dick Cheney believes he is the reincarnation of Herman Goering. 9/11 was the elitist version of the Reichstag fire and it was the operative event that was used to introduce forms of dictatorship that had been formulated years before when Mr. Cheney was Secretary of Defense under George H. W. Bush. The vehicle for total control of the American people was the USA Patriot Act and following legislation.

After that was accomplished military and intelligence operations were taken out of the hands of government and into the control of private and public corporations. This was the transition to the corporatist fascist state. After George H. W. Bush was defeated for a second presidential term Mr. Cheney took over as CEO of Halliburton. Later he and George P. Schultz, who was the CEO of Bechtel, formed the Bush-Cheney team for the presidency. We know what transpired and after in office with Cheney crony, Don Rumsfeld the lies began and at the same time military and intelligence was in part turned over to Halliburton, Bechtel, Carlyle and other crony companies. This is when this triumvirate took over the entire American intelligence operation.

What has followed is the worst corruption in modern times. Not only the stealing, but also the spying on Americans, privatized torture, abuse and murder and holding people without charges for years and kidnapping them off the streets of the world in violation of the sovereign laws of other countries. This is what murderous dictators do.

Through globalization, private mercenary armies, private secret police forces all run by firms such as Halliburton and Bechtel, anyone who speaks out is hunted down and silenced or murdered. Via globalization, which is the elimination of the nation-state, power is transferred from the nation state to elitist transnational corporate cartels. The system becomes totally predatory. First it's the elimination of whole industries, then public investments, then governments and then the world.

The table is set by the creation of perpetual war for perpetual peace. The masses are eventually against the wars but are powerless to stop them. The wars are theatre devised as distraction to keep the citizens focused on what is a stage play, as the globalists steal your freedom, livelihood and your entire way of life. This is to be the recreation of Imperial Rome via the financer oligarchy and the control of America's vast military machine. A world system of interlocking syndicates, which rule people, not governments. This is how we know financial collapse is in process. It has been used many times before albeit unsuccessfully. This is a threat to civilized life, as we have known it. Justice is first perverted and then destroyed. You cannot defend your rights against the state if they own the system. Power is being transferred from the nation-state to the international financial interests. This is not only treason; it is the destruction of our laws and culture.

THE INTERNATIONAL FORECASTER MAY 2006 (#3) Vol. 10 No. 5-3 An international financial, economic, political and social commentary. Published and Edited by: Bob Chapman International_forecaster@yahoo.com www.theinternationalforecaster.com

http://news.goldseek.com/InternationalForecaster/1148223780.php

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Ian — Fri, 19 May 2006 09:37:03 GMT

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Ian — Fri, 19 May 2006 09:36:47 GMT

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Ian — Wed, 17 May 2006 07:19:43 GMT

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Ian — Wed, 17 May 2006 07:19:25 GMT

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Ian — Wed, 17 May 2006 07:19:12 GMT

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Ian — Wed, 17 May 2006 07:18:56 GMT

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Ian — Wed, 17 May 2006 07:18:41 GMT

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Ian — Wed, 17 May 2006 06:59:35 GMT

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